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home·artworks·San Marco
San Marco by Domenico Beccafumi

plate no. 2815

San Marco

Domenico Beccafumi, 1539

oilMannerism (Late Renaissance)religious paintingfiguredraperybookreligious figurearch
some experience helpful

Recreating this painting will help students understand how to depict light and shadow on fabric and how to create a sense of depth using value changes. It also provides practice in rendering human anatomy and facial features.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure and archway, paying attention to proportions.

  2. step 02

    Block in the main areas of color: the red drapery, the skin tones, the book, and the background.

  3. step 03

    Establish the darkest shadows and lightest highlights to define the form.

  4. step 04

    Begin layering and blending colors to create smooth transitions in the drapery and skin.

  5. step 05

    Add details to the face, hands, and book, refining the shapes and values.

  6. step 06

    Work on the background, creating a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to enhance the realism and drama.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust the overall tone.

color palette

primary · red ochre · raw umber · titanium white

secondary · ivory black · yellow ochre

Mix various shades of red by combining red ochre with raw umber and white. Use ivory black and raw umber for the book and background. Skin tones can be achieved with a mix of white, red ochre, and a touch of yellow ochre.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·underpainting
  • ·drapery studies

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Ignoring the subtle color variations in the drapery.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (red ochre, raw umber, titanium white, ivory black, yellow ochre)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned ground to speed up the painting process.

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