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home·artworks·San Lorenzo River with the Campanile of San Giorgio Dei Greci, Venice
San Lorenzo River with the Campanile of San Giorgio Dei Greci, Venice by Martín Rico y Ortega

plate no. 6334

San Lorenzo River with the Campanile of San Giorgio Dei Greci, Venice

Martín Rico y Ortega

oil, canvasImpressionismcityscapebuildingswaterboatsfiguresbridgesky
some experience helpful

Recreating this painting will help students develop skills in depicting architectural details with loose brushwork and capturing the reflections and movement of water. It also provides practice in creating depth and atmosphere in a cityscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, bridge, and water.

  2. step 02

    Establish the horizon line and the basic perspective of the buildings.

  3. step 03

    Block in the large areas of color for the sky, buildings, and water using thin washes.

  4. step 04

    Start building up layers of paint, focusing on the light and shadow on the buildings.

  5. step 05

    Add details to the buildings, such as windows, balconies, and architectural ornaments.

  6. step 06

    Paint the water, capturing the reflections of the buildings and boats.

  7. step 07

    Add figures and boats to the scene, paying attention to their placement and scale.

  8. step 08

    Refine the details and add highlights to create a sense of depth and realism.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · titanium white · raw umber · cadmium yellow

Mix various shades of ochre and sienna with white to create the warm tones of the buildings. Use ultramarine blue and white for the sky and water, adding touches of ochre and sienna to create subtle variations.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective
  • ·impasto

common pitfalls

  • →Getting bogged down in excessive detail too early.
  • →Failing to establish a clear sense of perspective.
  • →Overworking the paint and losing the freshness of the brushwork.
  • →Not capturing the subtle color variations in the water and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-textured canvas to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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