apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·San Juan Evangelista
San Juan Evangelista by Francisco Pacheco

plate no. 2606

San Juan Evangelista

Francisco Pacheco, 1608

oilMannerism (Late Renaissance)religious paintingfiguresaintrobechaliceeaglelandscape
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also offers practice in capturing subtle color variations in skin tones and fabrics.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic figure proportions and pose on the canvas.

  2. step 02

    Establish the main shapes of the robe, cloak, and eagle.

  3. step 03

    Block in the background landscape with diluted paint.

  4. step 04

    Begin layering the skin tones, starting with mid-tones and adding highlights and shadows.

  5. step 05

    Develop the drapery folds in the robe and cloak, paying attention to light and shadow.

  6. step 06

    Paint the eagle, focusing on its texture and details.

  7. step 07

    Add the chalice and the snake, paying attention to the reflections and highlights.

  8. step 08

    Refine the details and blend the colors to create a smooth finish.

color palette

primary · titanium white · cadmium red · yellow ochre · ivory black

secondary · ultramarine blue · burnt umber · raw sienna

Mix skin tones using white, yellow ochre, and a touch of red and umber. Achieve the red cloak by mixing cadmium red with a touch of burnt umber for shadows. Create the background with mixtures of blue, white, and umber.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or muddy skin tones.
  • →Flat or lifeless drapery.
  • →Lack of depth in the background.
  • →Inaccurate rendering of the eagle's anatomy.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x36 inches)
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti