apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·San Gabriel Valley Mid Winter
San Gabriel Valley Mid Winter by Benjamin Brown

plate no. 9177

San Gabriel Valley Mid Winter

Benjamin Brown

oilImpressionismlandscapemountainsvalleytreeshillsskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in capturing the texture of foliage with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into foreground, midground, and background.

  2. step 02

    Block in the sky with light blue and white, blending softly.

  3. step 03

    Establish the mountain ranges using progressively lighter and cooler blues as they recede.

  4. step 04

    Paint the valley floor with a mix of greens, browns, and blues, suggesting the distant details.

  5. step 05

    Add the hillside in the foreground with darker greens and browns, defining the path.

  6. step 06

    Layer in the trees and bushes, using short, broken brushstrokes to create texture.

  7. step 07

    Add highlights to the foliage and mountains to create a sense of light and form.

  8. step 08

    Refine details and adjust values to achieve the desired atmospheric perspective.

color palette

primary · cerulean blue · sap green · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix greens by combining blues and yellows, and use white to lighten values and create atmospheric haze. Browns are achieved by mixing complementary colors like blue and orange.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details in the background, losing the sense of distance.
  • →Using too much pure color without mixing, resulting in a flat appearance.
  • →Neglecting the value changes in the foreground, making it appear less dimensional.
  • →Failing to create a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (#2, #6)
  • ·flat brush (#8)
  • ·palette knife
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann