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home·artworks·San Antonio River
San Antonio River by Robert Julian Onderdonk

plate no. 7499

San Antonio River

Robert Julian Onderdonk, 1920

oilImpressionismlandscaperivertreesreflectionwater liliesfoliagesky
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, as well as layering techniques to create depth and texture in foliage and reflections.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements like trees and the river.

  2. step 02

    Establish the sky with a thin wash of yellow and orange hues.

  3. step 03

    Block in the dark masses of the trees and foliage using a mix of dark greens and browns.

  4. step 04

    Begin layering in lighter tones to define the shapes of the trees and create a sense of depth.

  5. step 05

    Paint the reflections in the water, paying attention to the distortion and color variations.

  6. step 06

    Add details such as the water lilies and small highlights to create visual interest.

  7. step 07

    Refine the edges and blend colors to create a soft, impressionistic effect.

  8. step 08

    Add final touches and highlights to enhance the overall composition.

color palette

primary · yellow ochre · burnt umber · sap green · titanium white

secondary · cadmium orange · ultramarine blue · alizarin crimson

Achieve the warm, golden tones by mixing yellow ochre with small amounts of cadmium orange and burnt umber. Create the dark greens by mixing sap green with ultramarine blue and burnt umber. Use white to lighten colors and create highlights.

techniques

  • ·wet-on-wet blending
  • ·layering
  • ·broken color
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle color variations in the reflections.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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