
plate no. 7499
Robert Julian Onderdonk, 1920
Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, as well as layering techniques to create depth and texture in foliage and reflections.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the horizon line and placement of major elements like trees and the river.
Establish the sky with a thin wash of yellow and orange hues.
Block in the dark masses of the trees and foliage using a mix of dark greens and browns.
Begin layering in lighter tones to define the shapes of the trees and create a sense of depth.
Paint the reflections in the water, paying attention to the distortion and color variations.
Add details such as the water lilies and small highlights to create visual interest.
Refine the edges and blend colors to create a soft, impressionistic effect.
Add final touches and highlights to enhance the overall composition.
color palette
primary · yellow ochre · burnt umber · sap green · titanium white
secondary · cadmium orange · ultramarine blue · alizarin crimson
Achieve the warm, golden tones by mixing yellow ochre with small amounts of cadmium orange and burnt umber. Create the dark greens by mixing sap green with ultramarine blue and burnt umber. Use white to lighten colors and create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.
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