apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Samuel Alleyne Otis
Samuel Alleyne Otis by Gilbert Stuart

plate no. 7327

Samuel Alleyne Otis

Gilbert Stuart, 1813

oilRomanticismportraitportraitfiguremanclothinghistoricalformal
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in blending and creating subtle gradations of color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin building up the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Define the features of the face, paying close attention to the shapes and angles of the eyes, nose, and mouth.

  5. step 05

    Paint the clothing, focusing on the folds and drapery.

  6. step 06

    Refine the background, creating a sense of depth and atmosphere.

  7. step 07

    Add details such as hair, jewelry, and any other accessories.

  8. step 08

    Make final adjustments to the values, colors, and edges to create a cohesive and realistic portrait.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and burnt umber to create darks for the clothing and background.

techniques

  • ·portrait painting
  • ·blending
  • ·value studies
  • ·color mixing
  • ·glazing

common pitfalls

  • →Overmixing colors resulting in muddy tones.
  • →Getting proportions wrong in the initial sketch.
  • →Failing to establish a clear value structure.
  • →Overworking details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke