apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sami with Raindeer under the Midnight Sun
Sami with Raindeer under the Midnight Sun by Peder Balke

plate no. 9797

Sami with Raindeer under the Midnight Sun

Peder Balke, 1850

oilRomanticismlandscapemountainsskycloudsreindeerfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating mood through limited color palettes. Students will also learn to suggest detail rather than rendering every element precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the mountains, figures, and horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of neutral gray or brown.

  3. step 03

    Block in the sky with darker grays at the top, lightening towards the horizon and around the moon.

  4. step 04

    Paint the mountains, using darker values for the peaks and lighter values for the lower slopes to create depth.

  5. step 05

    Add the figures and reindeer, focusing on their silhouettes and general shapes.

  6. step 06

    Paint the foreground rocks and ground, using a mix of browns, reds, and whites.

  7. step 07

    Add highlights to the rocks and figures to create contrast and visual interest.

  8. step 08

    Refine the details and blend the colors to create a soft, atmospheric effect.

color palette

primary · ivory black · titanium white · burnt umber

secondary · yellow ochre · raw sienna

Achieve the muted tones by mixing black and white in varying ratios. Add small amounts of yellow ochre or burnt umber to warm the grays.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the atmospheric effect.
  • →Using too much color and creating a painting that is too bright.
  • →Failing to establish a strong value structure.
  • →Making the figures too detailed and drawing attention away from the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the initial value structure.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke