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home·artworks·Salvator Mundi
Salvator Mundi by Vittore Carpaccio

plate no. 4879

Salvator Mundi

Vittore Carpaccio, 1520

oil, woodHigh Renaissancereligious paintingfigureportraitreligious figurerobehandsky
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering drapery and creating a sense of depth through layering and blending.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with thin washes of blue and gray, blending to create a soft, atmospheric effect.

  3. step 03

    Block in the main shapes of the figure, starting with the robe and then the face and hands.

  4. step 04

    Begin layering skin tones, using a limited palette and focusing on subtle shifts in value and hue.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth, paying close attention to the light and shadow.

  6. step 06

    Refine the drapery, adding folds and highlights to create a sense of volume.

  7. step 07

    Paint the hair, using thin, broken strokes to suggest texture and movement.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · burnt umber · cadmium red

secondary · ultramarine blue · yellow ochre

Achieve skin tones by mixing white, red, and umber, with small amounts of yellow ochre and blue for subtle variations. The robe is primarily red and umber, with darker values achieved by adding blue.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to create a sense of depth in the drapery.
  • →Ignoring the subtle shifts in value and hue.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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