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home·artworks·Saltimbanques
Saltimbanques by Rupert Bunny

plate no. 3218

Saltimbanques

Rupert Bunny, 1930

oilArt Nouveau (Modern)genre paintingfiguresinteriorperformancetextilespropsflowers
experienced study

Recreating this painting will help students develop skills in figure drawing, capturing dynamic poses, and understanding how to depict complex patterns and textures. It also offers practice in color mixing to achieve subtle skin tones and fabric hues.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their poses, paying attention to proportions and placement on the canvas.

  2. step 02

    Block in the background elements, including the curtain and the floor, using simplified shapes and colors.

  3. step 03

    Begin layering in the skin tones of the figures, focusing on the subtle variations in light and shadow.

  4. step 04

    Develop the details of the clothing and props, such as the hula hoop, bowls, and fan.

  5. step 05

    Carefully render the patterns on the curtain, breaking them down into manageable sections.

  6. step 06

    Refine the facial features of the figures, paying attention to their expressions.

  7. step 07

    Add final highlights and shadows to enhance the depth and dimension of the painting.

  8. step 08

    Glaze with thin layers to unify the colors and create a cohesive feel.

color palette

primary · ochre · purple · white · brown

secondary · green · blue · red · gold

Achieve skin tones by mixing ochre, white, and small amounts of red and brown. Create the curtain patterns by mixing various blues, greens, reds, and golds, and layering them to create depth.

techniques

  • ·figure drawing
  • ·color layering
  • ·pattern rendering
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overcomplicating the initial sketch, leading to confusion later.
  • →Getting lost in the details of the patterns before establishing the overall composition.
  • →Using colors that are too saturated, resulting in a garish appearance.
  • →Neglecting the subtle variations in skin tone, making the figures look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ochre oil paint
  • ·purple oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·various sized round brushes
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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