apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Salome with the Head of St. John the Baptist
Salome with the Head of St. John the Baptist by Bernardino Luini

plate no. 7444

Salome with the Head of St. John the Baptist

Bernardino Luini, 1520

oilHigh Renaissancereligious paintingfigureportraitreligiousheadplatehands
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and hair, as well as understanding chiaroscuro to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures and the plate.

  2. step 02

    Establish the dark background using a thin wash of black or dark brown.

  3. step 03

    Block in the main shapes of the figures with simplified color masses, focusing on the light and shadow patterns.

  4. step 04

    Begin refining the skin tones, using subtle color variations to create a sense of realism.

  5. step 05

    Develop the details of the hair, using thin brushstrokes to suggest texture and volume.

  6. step 06

    Paint the drapery and clothing, paying attention to the folds and highlights.

  7. step 07

    Add the details of the plate and the water, capturing the reflections and highlights.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a harmonious and balanced image.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light · viridian

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Create shadows by adding black or burnt umber to the skin tone mixture. Use viridian and yellow ochre to create the green hues of the dress.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·blending

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to establish a strong sense of light and shadow.
  • →Getting the proportions of the figures wrong.
  • →Ignoring the subtle color variations in the skin and hair.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Titanium white oil paint
  • ·Ivory black oil paint
  • ·Burnt sienna oil paint
  • ·Raw umber oil paint
  • ·Yellow ochre oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Linseed oil

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael