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home·artworks·Salome with the Head of Saint John the Baptist
Salome with the Head of Saint John the Baptist by Bernardino Luini

plate no. 1403

Salome with the Head of Saint John the Baptist

Bernardino Luini, 1525

oilHigh Renaissancereligious paintingfigureportraitreligiousheadhanddress
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and capturing subtle facial expressions. It also offers practice in depicting drapery and creating a sense of depth through value and color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and composition.

  2. step 02

    Establish the background with dark, muted tones.

  3. step 03

    Block in the main shapes of the figures, focusing on accurate proportions.

  4. step 04

    Begin layering in skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Develop the drapery, paying attention to folds and highlights.

  6. step 06

    Paint the details of the face, including eyes, nose, and mouth.

  7. step 07

    Add final details such as jewelry, hair, and the platter.

  8. step 08

    Refine the overall composition and adjust values as needed.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · viridian · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use glazes of viridian and yellow ochre to create the green dress. Mix ultramarine blue and ivory black for the dark background.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·portraiture
  • ·drapery study
  • ·blending

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to accurately capture the proportions of the figures.
  • →Ignoring the subtle variations in value and color.
  • →Getting lost in detail before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·viridian oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow of the paint.

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