apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Salisbury Cathedral from Lower Marsh Close
Salisbury Cathedral from Lower Marsh Close by John Constable

plate no. 1247

Salisbury Cathedral from Lower Marsh Close

John Constable, 1820

oil, canvasRomanticismlandscapecathedraltreesskygrasslandscapearchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. Students will also learn to mix subtle color variations to depict light and shadow in a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the cathedral and the tree line.

  2. step 02

    Block in the sky with light gray and white, creating a sense of cloud cover.

  3. step 03

    Establish the base color of the grass field with a mix of green, brown, and yellow.

  4. step 04

    Begin layering the trees on the left, using darker greens and browns to create depth and shadow.

  5. step 05

    Paint the cathedral in the distance, paying attention to its delicate structure and subtle colors.

  6. step 06

    Add details to the foreground trees, including branches and leaves, using a variety of brushstrokes.

  7. step 07

    Refine the grass field with highlights and shadows, adding texture and dimension.

  8. step 08

    Add final details to the sky and cathedral, adjusting values and colors as needed.

color palette

primary · sap green · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · ivory black

Mix greens by combining blue and yellow with touches of brown. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance. Use white to create highlights and black to deepen shadows.

techniques

  • ·layering
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →overworking details in the distance
  • →using too much pure green
  • →flattening the perspective
  • →ignoring subtle color shifts

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·mineral spirits
  • ·oil paints

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for optimal texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke