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home·artworks·Saint-Sauves under the snow
Saint-Sauves under the snow by Armand Guillaumin

plate no. 0092

Saint-Sauves under the snow

Armand Guillaumin, 1899

oil, canvasImpressionismlandscapesnowlandscapevillagetreesskyhills
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in snow and sky, as well as practicing impressionistic brushstrokes to create texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements like the village and trees.

  2. step 02

    Block in the sky with a light blue-gray wash, blending the colors softly.

  3. step 03

    Establish the snow-covered ground with varying shades of white, blue, and gray, using short, broken brushstrokes.

  4. step 04

    Paint the distant hills with muted purples and blues, suggesting depth and atmosphere.

  5. step 05

    Add the village buildings with touches of warm colors like ochre and red for the roofs.

  6. step 06

    Paint the trees with thin, vertical strokes, using browns, grays, and touches of red and purple.

  7. step 07

    Add details to the foreground, such as the fence, using darker values to create contrast.

  8. step 08

    Refine the overall painting, paying attention to the interplay of light and shadow and adjusting colors as needed.

color palette

primary · titanium white · cerulean blue · raw umber

secondary · cadmium red · yellow ochre · violet

Mix white with small amounts of blue and umber to create the various shades of snow and sky. Use red and yellow ochre sparingly to add warmth to the village and trees. Mix violet with white to create the shadows on the snow.

techniques

  • ·broken brushstrokes
  • ·color mixing
  • ·layering
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →overmixing colors and creating a muddy effect
  • →using too much detail and losing the impressionistic feel
  • →not varying the colors of the snow enough
  • →making the tree trunks too uniform

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a limited palette of colors to simplify the mixing process. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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