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home·artworks·Saint-Sauves-d'Auvergne
Saint-Sauves-d'Auvergne by Armand Guillaumin

plate no. 7040

Saint-Sauves-d'Auvergne

Armand Guillaumin, 1900

oilImpressionismlandscapelandscapemountainssnowtreesskyfield
some experience helpful

Recreating this painting will help students understand color temperature and how to mix colors to represent snow and atmospheric perspective. It also provides practice in applying loose, impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, trees, and field, paying attention to the overall composition.

  2. step 02

    Block in the sky with light blues and grays, using loose horizontal strokes.

  3. step 03

    Establish the dark values of the mountains and trees with a mix of browns, blues, and reds.

  4. step 04

    Begin layering the snow-covered areas with whites, blues, and pinks, capturing the subtle color variations.

  5. step 05

    Add details to the trees, using small, broken brushstrokes to suggest foliage.

  6. step 06

    Define the shadows in the snow with cool blues and purples.

  7. step 07

    Refine the details of the foreground, including the fence and any other elements.

  8. step 08

    Add final highlights and adjust colors as needed to achieve the desired effect.

color palette

primary · titanium white · ultramarine blue · burnt sienna · alizarin crimson

secondary · yellow ochre · viridian green

Mix white with small amounts of blue and pink to create the cool tones of the snow. Use burnt sienna and alizarin crimson to achieve the reddish hues of the trees. Mix ultramarine blue and burnt sienna for the darker mountain tones.

techniques

  • ·broken color
  • ·color temperature
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Using too much white, which can flatten the painting.
  • →Ignoring the subtle color variations in the snow.
  • →Making the brushstrokes too uniform.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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