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home·artworks·Saint Mary Magdalene in prayer
Saint Mary Magdalene in prayer by Petrus van Schendel

plate no. 0497

Saint Mary Magdalene in prayer

Petrus van Schendel

oil, woodRomanticismreligious paintingfigurelampreligiousportraitcandlelighthands
experienced study

Recreating this painting will help students develop skills in rendering skin tones under dramatic lighting and understanding chiaroscuro. It also provides practice in depicting realistic hands and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figure proportions on the canvas.

  2. step 02

    Establish the darkest and lightest areas to define the composition's value structure.

  3. step 03

    Block in the background with dark browns and blacks, gradually blending towards the light source.

  4. step 04

    Begin layering skin tones, focusing on the highlights and shadows created by the candlelight.

  5. step 05

    Paint the clothing and drapery, paying attention to the folds and how they catch the light.

  6. step 06

    Render the lamp and flame, capturing the intense glow and subtle color variations.

  7. step 07

    Refine the details of the face, hands, and other key areas.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and drama.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium yellow light · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken with burnt umber and black. Use thin glazes to build up depth and luminosity.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·scumbling
  • ·layering

common pitfalls

  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Inaccurate proportions of the figure and hands.
  • →Failing to capture the intensity and warmth of the candlelight.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting varnish

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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oil painting for beginners →how to learn by studying the masters →
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