apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Saint Mary Magdalen in Penitence
Saint Mary Magdalen in Penitence by Orazio Gentileschi

plate no. 2630

Saint Mary Magdalen in Penitence

Orazio Gentileschi, 1615

oilMannerism (Late Renaissance)religious paintingfigureskullcrossrockfoliagered drapery
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones, drapery folds, and creating depth through atmospheric perspective. It also provides practice in depicting complex poses and emotional expression.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure, skull, and landscape elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure and light source.

  3. step 03

    Develop the skin tones using layers of thin glazes, paying close attention to highlights and shadows.

  4. step 04

    Render the drapery folds with careful observation of how light interacts with the fabric.

  5. step 05

    Add details to the skull and cross, capturing their texture and form.

  6. step 06

    Paint the background foliage and rocks, using soft edges to create a sense of depth.

  7. step 07

    Refine the details and adjust the values to create a cohesive and harmonious image.

  8. step 08

    Add final highlights and shadows to enhance the realism and drama of the painting.

color palette

primary · red ochre · raw umber · titanium white · ivory black

secondary · yellow ochre · ultramarine blue · burnt sienna

Achieve the skin tones by mixing white, red ochre, and a touch of raw umber. Use ultramarine blue and burnt sienna to create muted grays for the shadows and background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·atmospheric perspective

common pitfalls

  • →overworking the details too early
  • →incorrect proportions of the figure
  • →muddying the colors by overmixing
  • →failing to establish a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti