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Saint Jerome by Filippino Lippi

plate no. 3762

Saint Jerome

Filippino Lippi, 1490

oilHigh Renaissancereligious paintingfigurelandscapetreescrucifixreligiousfoliage
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through atmospheric perspective. It also provides practice in achieving realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main shapes and composition.

  2. step 02

    Establish the background landscape with thin washes of color, focusing on atmospheric perspective.

  3. step 03

    Block in the main figure of Saint Jerome, paying attention to proportions and anatomy.

  4. step 04

    Begin layering in the drapery folds, using light and shadow to create volume.

  5. step 05

    Refine the facial features and add details to the hair and beard.

  6. step 06

    Paint the crucifix and surrounding foliage, adding texture and detail.

  7. step 07

    Adjust values and colors throughout the painting to create a sense of harmony.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or red. Use thin glazes to build up depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in details too early without establishing the overall composition.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Inaccurate proportions in the figure drawing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (#2, #4, #6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider toning the canvas with a thin wash of raw umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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