apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Saint Jérôme Dans Son Cabinet D'étude
Saint Jérôme Dans Son Cabinet D'étude by Stefan Lochner

plate no. 4379

Saint Jérôme Dans Son Cabinet D'étude

Stefan Lochner, 1435

oilInternational Gothicreligious paintingfigureinteriorarchitecturedogbooksreligious
experienced study

Recreating this painting would help students develop skills in rendering drapery folds, creating a sense of depth through linear perspective, and understanding color harmony with a limited palette.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main shapes and composition.

  2. step 02

    Block in the large areas of color, focusing on the background and the figure's robe.

  3. step 03

    Develop the details of the architectural elements, such as the columns and windows.

  4. step 04

    Add the figure's facial features and hands, paying attention to proportions.

  5. step 05

    Render the drapery folds in the robe, using light and shadow to create volume.

  6. step 06

    Paint the dog and the books, adding details to bring them to life.

  7. step 07

    Refine the details throughout the painting, such as the patterns on the floor and the objects on the shelves.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · red ochre · raw umber · titanium white

secondary · yellow ochre · ivory black

Mix various shades of red ochre with white to achieve the highlights and shadows in the robe. Use raw umber and ivory black to create the darker tones in the background and architectural elements.

techniques

  • ·glazing
  • ·scumbling
  • ·linear perspective
  • ·drapery rendering
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to create a sense of depth in the composition.
  • →Overworking the details and losing the overall harmony.
  • →Not paying enough attention to the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·red ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·medium gloss

Use high-quality oil paints for best results. Prepare the canvas with several layers of gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Calendar: January (Banquet Scene)

Calendar: January (Banquet Scene)

Limbourg brothers

Archangel Michael

Archangel Michael

Álvaro Pires de Évora

Christ as Man of Sorrow

Christ as Man of Sorrow

Stefan Lochner

Virgem Com O Menino

Virgem Com O Menino

Álvaro Pires de Évora

Petrarch's Virgil (title page)

Petrarch's Virgil (title page)

Simone Martini

David Imagines Christ Elevated Above All Other Beings

David Imagines Christ Elevated Above All Other Beings

Limbourg brothers

Heavenly Host

Heavenly Host

Limbourg brothers

Sts. Catherine, Hubert and Quirinus

Sts. Catherine, Hubert and Quirinus

Stefan Lochner