apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Saint Gregory
Saint Gregory by Francisco Goya

plate no. 2860

Saint Gregory

Francisco Goya, 1799

oil, canvasRomanticismreligious paintingfiguresaintbookrobereligiouswriting
experienced study

Recreating this painting will help students develop skills in chiaroscuro and rendering complex drapery folds and textures. It also provides practice in capturing the likeness of a human figure in a dimly lit environment.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, book, and main folds of the robe.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light and shadow on the figure and robe with mid-tones.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle gradations of light and shadow.

  5. step 05

    Develop the drapery by layering highlights and shadows to create the illusion of volume and texture.

  6. step 06

    Add details to the book, including the pages and binding.

  7. step 07

    Refine the details of the robe, including the gold embellishments and the texture of the fabric.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ivory black

Achieve the subtle variations in skin tone by mixing white, yellow ochre, and small amounts of red and brown. Create the gold embellishments by mixing yellow ochre with a touch of brown and white for highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much paint, resulting in a muddy appearance.
  • →Ignoring the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints: raw umber, titanium white, yellow ochre, cadmium red light, ivory black
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke