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home·artworks·Saint Francois reçoit les stigmates
Saint Francois reçoit les stigmates by Ambrogio Bergognone

plate no. 7298

Saint Francois reçoit les stigmates

Ambrogio Bergognone, 1510

oilHigh Renaissancereligious paintingfigureslandscapereligiousmountainsskybirds
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective in landscapes. It also provides practice in depicting light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures, landscape elements, and the composition.

  2. step 02

    Block in the main color masses for the sky, mountains, figures, and foreground.

  3. step 03

    Begin refining the landscape, focusing on creating depth through color and value changes.

  4. step 04

    Develop the figures, paying attention to the folds and shadows in the drapery.

  5. step 05

    Add details to the faces and hands, capturing the expressions and gestures.

  6. step 06

    Paint the stigmata and the rays of light emanating from the figure of Christ.

  7. step 07

    Add final details such as the birds, plants, and the buildings in the background.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium red light

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or red. Use glazes of thinned colors to create depth and subtle color variations.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the landscape.
  • →Inaccurate proportions in the figures.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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