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home·artworks·Saint Francis of Assisi
Saint Francis of Assisi by Frank Cadogan Cowper

plate no. 8761

Saint Francis of Assisi

Frank Cadogan Cowper

oil, canvasRomanticismportraitangelsainttreelandscapefiguredoves
experienced study

Recreating this painting will help students develop skills in rendering figures in complex poses and creating atmospheric perspective in a landscape. It also provides practice in depicting textures like tree bark and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and landscape elements.

  2. step 02

    Block in the main color masses, focusing on the overall value structure.

  3. step 03

    Develop the background landscape, paying attention to atmospheric perspective by using lighter and cooler colors in the distance.

  4. step 04

    Refine the figures, starting with the angel and then the saint, focusing on accurate anatomy and drapery.

  5. step 05

    Add details to the tree trunk, creating texture with dry brush techniques.

  6. step 06

    Paint the doves, paying attention to their form and how they interact with the ground.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · viridian green · raw sienna

Achieve the earth tones by mixing burnt umber, yellow ochre, and white. Use ultramarine blue and viridian green to create the cooler tones in the background landscape. Mix cadmium red with burnt umber to create the red-brown hues in the saint's robe.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·dry brush
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the landscape.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, cadmium red, ultramarine blue, viridian green, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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