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home·artworks·Saint Francis Borgia Helping a Dying Impenitent
Saint Francis Borgia Helping a Dying Impenitent by Francisco Goya

plate no. 8570

Saint Francis Borgia Helping a Dying Impenitent

Francisco Goya

oilRomanticismreligious paintingfigurebeddemonsreligious sceneinteriorcross
experienced study

Recreating this painting will help students develop skills in figure drawing, particularly rendering realistic skin tones and drapery, as well as understanding dramatic lighting and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch outlining the main figures and composition.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Refine the shapes and forms of the figures, paying attention to anatomy and proportions.

  4. step 04

    Begin adding details to the faces and hands, using small brushes and subtle color variations.

  5. step 05

    Develop the drapery and bedding, using highlights and shadows to create a sense of volume.

  6. step 06

    Paint the demons in the background, focusing on their grotesque features and expressions.

  7. step 07

    Add the final details, such as the cross, the bottle, and the light streaming in from the window.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and create a sense of atmosphere.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · viridian · yellow ochre · burnt sienna

Mix various shades of brown and grey for the figures and background. Use glazes of red and yellow to create the warm light and shadows. Mix white with small amounts of other colors to create highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly bright or saturated colors
  • →Lack of depth and atmosphere
  • →Poor blending of colors
  • →Getting lost in details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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