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home·artworks·Saint-Cenery, the Church and the Bridge
Saint-Cenery, the Church and the Bridge by Eugene Boudin

plate no. 5240

Saint-Cenery, the Church and the Bridge

Eugene Boudin

oilImpressionismlandscapebridgerivertreeschurchskyfigures
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to represent distance. Students will also learn to simplify complex scenes into manageable shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the bridge, church, trees, and river, paying attention to proportions and perspective.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Begin layering colors to create the base tones for the sky, water, foliage, and stone.

  4. step 04

    Develop the details of the bridge and church, focusing on the texture of the stone and the architectural elements.

  5. step 05

    Add the foliage using a variety of brushstrokes to create texture and depth.

  6. step 06

    Paint the reflections in the water, paying attention to the distortion and color variations.

  7. step 07

    Refine the details of the sky and add highlights to the foliage and water.

  8. step 08

    Add the figures on the bridge as small details.

color palette

primary · viridian green · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Mix greens by combining viridian green and yellow ochre, and create earth tones by mixing raw umber with burnt sienna and white. Achieve atmospheric perspective by adding white and blue to distant colors.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast.
  • →Failing to capture the atmospheric perspective, making the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil
  • ·mineral spirits
  • ·selection of oil paints (see color palette)

optional

  • ·palette knife
  • ·easel
  • ·medium gloss
  • ·rags

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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