apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Saint Cecilia with an Angel
Saint Cecilia with an Angel by Orazio Gentileschi

plate no. 5716

Saint Cecilia with an Angel

Orazio Gentileschi, 1621

oilMannerism (Late Renaissance)genre paintingfiguresmusicangelorgansheet musicportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and capturing subtle facial expressions. It also provides practice in creating dramatic lighting and depicting textures of fabric and musical instruments.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the organ.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figures and the organ with mid-tone colors.

  4. step 04

    Begin layering in highlights and shadows to create form and volume, paying attention to the light source.

  5. step 05

    Refine the skin tones, using subtle color variations to create a realistic effect.

  6. step 06

    Add details to the clothing, hair, and musical instruments, focusing on texture and detail.

  7. step 07

    Paint the sheet music, simplifying the notes but suggesting the pattern.

  8. step 08

    Add final highlights and shadows to enhance the dramatic effect and create a sense of depth.

color palette

primary · burnt umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and burnt umber to create dark shadows. Mix white with small amounts of other colors to create highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·portraiture
  • ·blending
  • ·scumbling

common pitfalls

  • →Over-blending, which can result in a loss of form and detail.
  • →Failing to establish a strong value structure early on.
  • →Getting skin tones too flat or monochromatic.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti