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home·artworks·Saint Catherine with a Lily
Saint Catherine with a Lily by Plautilla Nelli

plate no. 8886

Saint Catherine with a Lily

Plautilla Nelli

paint, oil, panelMannerism (Late Renaissance)mythological paintingfigurenuncrucifixlilyreligioushalo
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and drapery folds. It also provides practice in depicting subtle emotions and symbolic elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure, crucifix, and lilies.

  2. step 02

    Block in the background with a dark green, establishing the overall tone.

  3. step 03

    Begin layering the skin tones, starting with a base of light pink and gradually adding shadows and highlights.

  4. step 04

    Paint the drapery, paying close attention to the folds and how light interacts with the fabric.

  5. step 05

    Add the crucifix and lilies, focusing on accurate proportions and details.

  6. step 06

    Refine the facial features, capturing the expression of sorrow and contemplation.

  7. step 07

    Add the halo with a thin brush and gold paint.

  8. step 08

    Glaze with thin layers to unify the colors and create depth.

color palette

primary · titanium white · raw umber · cadmium red light

secondary · viridian green · yellow ochre · ivory black

Mix skin tones by blending white, red, and umber. Use viridian green and black to create the dark background. Yellow ochre and white can be used for the halo.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery rendering

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the subtle nuances of the facial expression.
  • →Ignoring the importance of light and shadow in creating depth.
  • →Getting the proportions of the figure or crucifix wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·viridian green oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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