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Saint Catherine by Bernardino Luini

plate no. 9597

Saint Catherine

Bernardino Luini, 1527

oilHigh Renaissancereligious paintingfiguresaintangelsbookhaloreligious
experienced study

Recreating this painting will help students develop skills in portraiture, including rendering realistic skin tones and drapery, as well as understanding chiaroscuro to create depth and form. It will also improve their ability to create a focal point through composition and value contrast.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main shapes.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main colors of the figures and clothing, paying attention to the overall value structure.

  4. step 04

    Begin building up the skin tones using layers of light and shadow, blending carefully.

  5. step 05

    Refine the details of the clothing, book, and halo, adding highlights and shadows to create form.

  6. step 06

    Add details to the faces, focusing on the eyes and mouth to convey expression.

  7. step 07

    Glaze over areas to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · cadmium red · titanium white

secondary · yellow ochre · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create shadows by adding burnt umber or black to the skin tone mixture. Mix red with burnt umber and black to create the deep reds of the clothing.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·portraiture
  • ·blending
  • ·layering

common pitfalls

  • →Overblending, which can result in a flat, lifeless appearance.
  • →Incorrectly judging the values, leading to a lack of depth.
  • →Getting lost in the details too early, before establishing the overall composition and value structure.
  • →Failing to create a convincing sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, cadmium red, titanium white, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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