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Saint Benedict by El Greco

plate no. 3719

Saint Benedict

El Greco, 1579

oil, canvasMannerism (Late Renaissance)religious paintingfigurereligious figurerobestaffportraitmale
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating depth through subtle value changes. It also provides practice in rendering textures, such as the fabric of the robe and the metallic details of the staff.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and staff.

  2. step 02

    Block in the background with broad strokes of muted blues and grays.

  3. step 03

    Establish the dark values of the robe, paying attention to the folds and shadows.

  4. step 04

    Begin to build up the skin tones of the face and hands, using thin layers of paint.

  5. step 05

    Add highlights to the face, hands, and staff to create dimension.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Paint the details of the staff, including the gold and silver elements.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · ivory black · titanium white · yellow ochre · ultramarine blue

secondary · burnt umber · raw sienna · cadmium yellow light

Mix various shades of gray by combining ivory black and titanium white. Achieve skin tones by blending yellow ochre, titanium white, and a touch of burnt umber. Create the gold color by mixing cadmium yellow light with burnt umber and a touch of raw sienna.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·alla prima

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Losing the proportions of the figure during the painting process.
  • →Neglecting the subtle value changes in the robe, making it appear too uniform.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·retouch varnish

Use high-quality oil paints for best results. Pre-toned canvas with a neutral gray can be helpful.

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