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Saint Ambrose by Francisco Goya

plate no. 0949

Saint Ambrose

Francisco Goya, 1799

oil, canvasRomanticismreligious paintingfigurereligious figurebookrobebeardhat
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing the likeness and expression of a subject, as well as understanding how to depict drapery and textures with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Block in the main areas of color: the background, the robe, the face, and the book.

  3. step 03

    Establish the light and shadow patterns on the robe, using a limited palette of whites, grays, and browns.

  4. step 04

    Develop the details of the face, paying attention to the eyes, nose, and mouth.

  5. step 05

    Add the details of the book and the pen, using small brushes and precise strokes.

  6. step 06

    Refine the highlights and shadows throughout the painting, creating a sense of depth and volume.

  7. step 07

    Add the gold accents to the robe and hat.

  8. step 08

    Finalize the background with subtle variations in tone.

color palette

primary · ivory black · titanium white · yellow ochre

secondary · burnt umber · cadmium yellow light · alizarin crimson

Achieve the subtle grays and whites by mixing ivory black and titanium white in varying proportions. Use yellow ochre and cadmium yellow light for the gold accents. Mix alizarin crimson with white for the pink sash.

techniques

  • ·chiaroscuro
  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details, resulting in a stiff and lifeless painting.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in tone and color.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·retouch varnish

Use a canvas with a medium texture to allow for expressive brushstrokes. Consider using a toned ground (e.g., raw umber) to create a warmer base for the painting.

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