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home·artworks·Sacristia Di San Francesco Della Vigna, a Venizia. San Bonaventura Nello Studio
Sacristia Di San Francesco Della Vigna, a Venizia. San Bonaventura Nello Studio by Palma il Giovane

plate no. 7415

Sacristia Di San Francesco Della Vigna, a Venizia. San Bonaventura Nello Studio

Palma il Giovane

oilMannerism (Late Renaissance)religious paintingfigurebookstableinteriorreligious figurerobe
experienced study

Recreating this painting will help students develop skills in rendering drapery folds and creating atmospheric perspective with muted colors. It also provides practice in depicting realistic skin tones and textures in low light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, table, and books.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figure's robe and the table covering with mid-tone grays and browns.

  4. step 04

    Start building up the highlights and shadows on the figure, paying attention to the direction of light.

  5. step 05

    Add details to the face, hands, and books, refining the shapes and values.

  6. step 06

    Work on the patterned table covering, simplifying the design and focusing on the overall color harmony.

  7. step 07

    Add the red cap and any other small details, such as the quill and the book's text.

  8. step 08

    Glaze over the entire painting to unify the colors and create a sense of depth.

color palette

primary · ivory black · raw umber · titanium white

secondary · cadmium red light · yellow ochre · burnt sienna

Achieve the muted tones by mixing black and white with small amounts of earth tones. Use glazes of burnt sienna and raw umber to add depth and warmth to the shadows.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Making the colors too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A toned canvas (burnt umber wash) can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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