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home·artworks·Russian Beauty in Summer Garland
Russian Beauty in Summer Garland by Konstantin Makovsky

plate no. 5274

Russian Beauty in Summer Garland

Konstantin Makovsky

oil, boardRomanticismportraitportraitwomanflowersjewelrygarlandbraid
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and rendering details like flowers and jewelry. It also provides practice in capturing a likeness and creating a sense of depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and garland.

  2. step 02

    Establish the background with dark, muted tones.

  3. step 03

    Block in the main skin tones, focusing on the overall value structure.

  4. step 04

    Begin layering and blending the skin tones, adding subtle highlights and shadows.

  5. step 05

    Paint the flowers in the garland, paying attention to their individual colors and shapes.

  6. step 06

    Add the details of the jewelry, using small brushes and careful observation.

  7. step 07

    Refine the hair and braid, adding highlights and shadows to create texture.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the focal point is the woman's face.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · viridian green · cadmium yellow

Skin tones are achieved by mixing white, umber, red, and yellow ochre. Greens are made from blue and yellow, and purples from red and blue. Use white to lighten values and umber to darken.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·layering
  • ·rendering details

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to capture the likeness of the subject.
  • →Making the flowers look flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (titanium white, burnt umber, cadmium red, yellow ochre, ultramarine blue, viridian green, cadmium yellow)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat, various sizes)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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