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home·artworks·Ruins of the Crusaders’ Banqueting Hall, Athleet
Ruins of the Crusaders’ Banqueting Hall, Athleet by Elizabeth Thompson

plate no. 6648

Ruins of the Crusaders’ Banqueting Hall, Athleet

Elizabeth Thompson

oilRomanticismlandscaperuinssealandscaperocksskymountains
some experience helpful

This painting provides practice in layering watercolor washes to build depth and form, and using dry brush techniques to create texture in the rocks. Students will also learn to simplify complex shapes and capture atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the rock formation, the sea, and the distant mountains.

  2. step 02

    Apply a light wash of diluted blue for the sky, fading towards the horizon.

  3. step 03

    Paint the sea with a mix of blues and greens, using horizontal strokes to suggest the water's surface.

  4. step 04

    Begin layering washes of browns, oranges, and reds on the rock formation, building up darker values in the shadows.

  5. step 05

    Use a dry brush technique with darker browns and reds to add texture and detail to the rocks.

  6. step 06

    Paint the distant mountains with a diluted purple or gray wash to create atmospheric perspective.

  7. step 07

    Add small details like the birds in the sky and any visible cracks or crevices in the rocks.

  8. step 08

    Allow each layer to dry before applying the next to prevent muddiness.

color palette

primary · burnt sienna · ultramarine blue · raw umber

secondary · cadmium red · yellow ochre · violet

Mix burnt sienna and ultramarine blue for various shades of brown and gray. Dilute colors significantly for washes. Use red and yellow ochre sparingly for highlights on the rocks.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the washes and creating muddy colors.
  • →Using too much water and losing control of the paint.
  • →Not allowing layers to dry completely before applying the next.
  • →Failing to create enough contrast between light and shadow.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper (140lb)
  • ·round watercolor brushes (sizes 2, 6, 10)
  • ·water container
  • ·palette
  • ·paper towels
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.

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