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home·artworks·Ruins landscape in the mountains
Ruins landscape in the mountains by Heinrich Bürkel

plate no. 2491

Ruins landscape in the mountains

Heinrich Bürkel

oilRomanticismlandscapemountainsruinslandscapefigureskyhills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering textures of stone and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the ruins and mountains.

  2. step 02

    Establish the sky with a gradient from light blue to pale yellow.

  3. step 03

    Block in the distant mountains with diluted grays and blues to create atmospheric perspective.

  4. step 04

    Paint the mid-ground hills with varying shades of green and brown, adding highlights and shadows.

  5. step 05

    Add the ruins, starting with the darker shadows and gradually building up the highlights.

  6. step 06

    Paint the foreground details, including rocks, grass, and the figure.

  7. step 07

    Refine the details and add final touches to the lighting and shadows.

  8. step 08

    Glaze with thin layers to unify the colors and create depth.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · cadmium yellow · alizarin crimson

Mix blues and umbers with white for the sky and distant mountains. Use yellow ochre and burnt umber for the earth tones, and add small amounts of crimson for the figure's clothing.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant mountains.
  • →Creating too much contrast in the foreground, flattening the image.
  • →Ignoring the subtle color variations in the shadows.
  • →Making the colors too saturated, losing the atmospheric effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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