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home·artworks·Ruined Buildings, Naples
Ruined Buildings, Naples by Thomas Jones

plate no. 4775

Ruined Buildings, Naples

Thomas Jones, 1782

oilRomanticismcityscapebuildingsruinstreesskycloudsarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural forms with subtle tonal variations. It also provides practice in depicting foliage and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and sky, paying attention to proportions and perspective.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with diluted washes.

  3. step 03

    Begin refining the sky, blending the blues and whites to create soft clouds.

  4. step 04

    Develop the architectural details of the ruins, focusing on the subtle tonal variations and textures.

  5. step 05

    Add the foliage, using a variety of greens and browns to create depth and texture.

  6. step 06

    Refine the foreground elements, paying attention to the transitions between light and shadow.

  7. step 07

    Add final details, such as small highlights and shadows, to enhance the realism of the painting.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to balance the elements.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · sap green · burnt sienna

Mix various shades of blue and white for the sky. Use raw umber and white for the buildings, adding touches of yellow ochre and burnt sienna for warmth. Create greens by mixing blue, yellow, and brown.

techniques

  • ·atmospheric perspective
  • ·tonal painting
  • ·dry brushing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details in the buildings, resulting in a stiff and unnatural appearance.
  • →Failing to create a sense of depth in the foliage, making it appear flat and two-dimensional.
  • →Using too much contrast, resulting in a harsh and unrealistic light.
  • →Neglecting the subtle tonal variations in the sky, making it appear flat and uninteresting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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