apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Rue Royal Madeleine
Rue Royal Madeleine by Antoine Blanchard

plate no. 2097

Rue Royal Madeleine

Antoine Blanchard

oilImpressionismcityscapecityscapebuildingsstreetpeopletreestram
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, capturing reflections, and using broken color to create a sense of movement and light. It's also a good exercise in simplifying complex scenes and focusing on essential shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, street, tram, and figures, paying attention to perspective.

  2. step 02

    Establish the sky and the overall value structure with thin washes of color.

  3. step 03

    Block in the large shapes of the buildings and street using simplified color blocks.

  4. step 04

    Add the tram and other vehicles, focusing on their basic forms and placement.

  5. step 05

    Begin adding details to the buildings, such as windows and architectural features, using small brushstrokes.

  6. step 06

    Paint the figures, simplifying their forms and focusing on their silhouettes.

  7. step 07

    Add reflections on the wet street using horizontal brushstrokes and varying values.

  8. step 08

    Refine details and add highlights to create a sense of light and atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian green · payne's gray

Mix various shades of gray for the sky and buildings by combining ultramarine blue, burnt umber, and white. Use yellow ochre and burnt umber for the warm tones of the buildings and street. Add small amounts of cadmium red and viridian green for accents.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·wet-on-dry layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking details and losing the overall impressionistic effect.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast in creating depth.
  • →Failing to simplify the forms of the figures and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann