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home·artworks·Rue Norvins, place du Tertre Montmartre
Rue Norvins, place du Tertre Montmartre by Antoine Blanchard

plate no. 6593

Rue Norvins, place du Tertre Montmartre

Antoine Blanchard

oilImpressionismcityscapecityscapestreetbuildingsfigureshorse carriagetrees
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and capturing reflections on a wet surface. It also provides practice in simplifying complex urban scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, street, and figures, focusing on perspective.

  2. step 02

    Block in the main color areas for the sky, buildings, and ground with thin washes.

  3. step 03

    Establish the darkest values in the shadows and reflections.

  4. step 04

    Add details to the buildings, such as windows, doors, and signs, using thicker paint.

  5. step 05

    Paint the figures with simplified shapes and colors, suggesting movement.

  6. step 06

    Create the reflections on the wet street by mirroring the colors and shapes above.

  7. step 07

    Add highlights to the buildings and figures to create a sense of light and atmosphere.

  8. step 08

    Refine details and adjust values to achieve a cohesive and atmospheric effect.

color palette

primary · gray · beige · red · brown

secondary · green · blue · yellow ochre

Mix various shades of gray by combining white, black, and small amounts of other colors like blue or brown. Achieve warm tones by mixing red, yellow, and brown. Use complementary colors to create muted shades.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Failing to establish a strong value structure, resulting in a flat painting.
  • →Ignoring the atmospheric perspective, making the background appear too sharp.
  • →Making the reflections too literal and not suggesting the distortion of the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (gray, beige, red, brown, green, blue, yellow ochre, white, black)
  • ·round brushes (#2, #6, #10)
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette
  • ·rags

optional

  • ·retouch varnish
  • ·easel
  • ·medium (alkyd)

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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