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home·artworks·Rue du Canal, Moret-sur-Loing
Rue du Canal, Moret-sur-Loing by Clarence Gagnon

plate no. 6847

Rue du Canal, Moret-sur-Loing

Clarence Gagnon, 1908

oilImpressionismcityscapestreetbuildingstreesskyfigurecobblestone
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create a sense of depth and mood. It also provides practice in capturing the texture of different surfaces with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the street and buildings.

  2. step 02

    Block in the main shapes and colors of the sky, buildings, and street with thin washes.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth.

  4. step 04

    Begin adding details to the buildings, such as windows and doors, using slightly thicker paint.

  5. step 05

    Develop the texture of the cobblestone street with short, broken brushstrokes.

  6. step 06

    Paint the trees in the background, using a variety of warm and cool tones to suggest foliage.

  7. step 07

    Add the figures in the street, paying attention to their scale and placement.

  8. step 08

    Refine the details and adjust the colors as needed to create a cohesive and atmospheric painting.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · raw sienna

Mix yellow ochre and ultramarine blue to create the muted greens and blues of the buildings and street. Use burnt umber and ultramarine blue for the dark areas. Add titanium white to lighten colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Failing to establish a strong sense of perspective.
  • →Overworking the details and losing the overall impressionistic effect.
  • →Using colors that are too saturated and not capturing the muted tones of the scene.
  • →Not creating enough variation in brushstrokes to suggest different textures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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