apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Rue de Paris with Carriages
Rue de Paris with Carriages by Giuseppe de Nittis

plate no. 2354

Rue de Paris with Carriages

Giuseppe de Nittis

oil, panelImpressionismcityscapecityscapestreetfigurescarriagesbuildingslampposts
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a rainy day using a limited color palette. It also provides practice in depicting figures and vehicles with loose, suggestive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the street, buildings, figures, and statue.

  2. step 02

    Establish the overall value structure with a thin wash of diluted brown or gray, focusing on the light and shadow areas.

  3. step 03

    Block in the sky and distant buildings with soft, blended tones of gray, blue, and white, creating a sense of atmosphere.

  4. step 04

    Add the darker values of the street and buildings, using horizontal strokes to suggest the wet surface.

  5. step 05

    Paint the figures and carriages with quick, gestural brushstrokes, focusing on their shapes and silhouettes.

  6. step 06

    Add details to the lampposts and statue, using darker values to define their forms.

  7. step 07

    Create reflections on the wet street by adding highlights and distorted shapes of the surrounding elements.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric scene.

color palette

primary · gray · beige · brown · white

secondary · blue · ochre · red

Achieve the muted tones by mixing complementary colors (e.g., brown and blue) with white. Use thin washes of color to build up the atmosphere.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast and losing the atmospheric effect.
  • →Making the figures too defined and stiff.
  • →Not capturing the reflections accurately.

materials

surface · stretched canvas

required

  • ·Oil paints (gray, beige, brown, white, blue, ochre, red)
  • ·Canvas or panel (12x16 inches)
  • ·Round and flat brushes (various sizes)
  • ·Palette
  • ·Linseed oil or painting medium
  • ·Odorless mineral spirits or turpentine

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Easel

Use a limited palette to create a harmonious and atmospheric painting. Thin the paints with medium for smoother blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann