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home·artworks·Rue de l'epicerie at Rouen, on a Grey Morning
Rue de l'epicerie at Rouen, on a Grey Morning by Camille Pissarro

plate no. 0578

Rue de l'epicerie at Rouen, on a Grey Morning

Camille Pissarro, 1898

oil, canvasImpressionismcityscapecityscapebuildingsstreetfiguresskycathedral
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve atmospheric perspective and practice loose, impressionistic brushstrokes to capture the essence of a scene rather than precise details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and cathedral, paying attention to perspective.

  2. step 02

    Block in the sky with a thin wash of light blue and gray.

  3. step 03

    Establish the main color masses for the buildings, using a limited palette of earth tones and muted colors.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using small, broken brushstrokes.

  5. step 05

    Paint the street and figures, focusing on capturing the light and shadow patterns.

  6. step 06

    Refine the details of the cathedral, using a variety of brushstrokes to create texture and depth.

  7. step 07

    Add final touches and highlights to bring the painting to life.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · titanium white · yellow ochre · cerulean blue

secondary · burnt sienna · cadmium red light · ivory black

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes of color to create depth and atmosphere.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·color temperature

common pitfalls

  • →Getting bogged down in details too early.
  • →Using colors that are too saturated.
  • →Ignoring the importance of value contrast.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (raw umber, titanium white, yellow ochre, cerulean blue, burnt sienna, cadmium red light, ivory black)
  • ·palette
  • ·assorted brushes (round and flat, sizes 2-8)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-tooth canvas for optimal texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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