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home·artworks·Royalists Seeking Safety
Royalists Seeking Safety by Marcus Stone

plate no. 9145

Royalists Seeking Safety

Marcus Stone, 1866

oilRomanticismgenre paintingfiguresinteriortabledoorwayclothinghistorical
experienced study

Recreating this painting will help students develop skills in rendering figures in complex poses and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the textures of different materials, such as fabric and wood.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures and objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin blocking in the main colors of the background and larger objects, focusing on accurate color relationships.

  4. step 04

    Develop the figures, starting with the faces and hands, and then moving on to the clothing and drapery.

  5. step 05

    Add details to the objects and background, such as the wood grain of the table and the texture of the walls.

  6. step 06

    Refine the lighting and shadows, paying attention to the direction and intensity of the light source.

  7. step 07

    Add final details and highlights to create a sense of realism and depth.

  8. step 08

    Step back and assess the overall painting, making any necessary adjustments to color, value, or composition.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · alizarin crimson · ultramarine blue · yellow ochre

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use glazes of diluted color to create depth and subtle variations.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of figures
  • →Inaccurate color mixing leading to muddy tones
  • →Failing to establish a strong value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2-6

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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