apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Royal Arches and Half Dome, Yosemite
Royal Arches and Half Dome, Yosemite by Thomas Hill

plate no. 2705

Royal Arches and Half Dome, Yosemite

Thomas Hill

oilRomanticismlandscapemountainstreesriverrocksskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth and dimension. It will also improve their ability to capture the texture of rocks and foliage using varied brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, river, and trees.

  2. step 02

    Establish the sky with a light blue wash, blending subtly.

  3. step 03

    Block in the large shapes of the mountains, using a range of grays and browns.

  4. step 04

    Add details to the rock formations, using thicker paint and visible brushstrokes to create texture.

  5. step 05

    Paint the trees and foliage, layering different shades of green and brown to create depth.

  6. step 06

    Add the river, reflecting the colors of the sky and surrounding landscape.

  7. step 07

    Refine the details, such as the highlights on the rocks and the texture of the trees.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · sap green · cadmium yellow · raw sienna

Mix various shades of gray for the mountains by combining ultramarine blue, burnt umber, and titanium white. Achieve the greens for the foliage by mixing ultramarine blue, cadmium yellow, and burnt umber.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and distance.
  • →Using too much detail in the background.
  • →Not varying brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grit canvas for better texture. Consider using a glazing medium to enhance the depth of color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke