apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Rough sea, Morestil
Rough sea, Morestil by John Peter Russell

plate no. 2275

Rough sea, Morestil

John Peter Russell, 1900

oil, canvasImpressionismmarinasearockswavescoastlinesky
some experience helpful

Recreating this painting will help students develop skills in capturing movement and texture with expressive brushstrokes, as well as mixing subtle color variations to depict water and atmospheric effects. Students will also learn to simplify complex scenes into essential shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the rocks and the horizon line.

  2. step 02

    Block in the large areas of color: the sky, the dark rocks, and the overall tone of the water.

  3. step 03

    Start adding darker values to the rocks to create depth and form.

  4. step 04

    Begin layering lighter blues and greens to represent the waves and the sea foam.

  5. step 05

    Use short, broken brushstrokes to suggest the movement of the water.

  6. step 06

    Add highlights to the crests of the waves with white and light blue.

  7. step 07

    Refine the details of the rocks and the water, paying attention to the direction of the brushstrokes.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · ultramarine blue · titanium white · viridian green

secondary · burnt umber · yellow ochre · alizarin crimson

Mix greens by combining blue and yellow. Create various shades of blue by adding white or a touch of umber. Use crimson to create muted purples and grays for the sky and shadows.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·impasto
  • ·color layering

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the movement and energy of the water.
  • →Not paying attention to the overall value structure of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann