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home·artworks·Rouen, View from the Queen's Way
Rouen, View from the Queen's Way by Eugene Boudin

plate no. 3993

Rouen, View from the Queen's Way

Eugene Boudin, 1895

oilImpressionismcityscaperiverboatsbuildingstreesskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle reflections in water. It also provides practice in loose, impressionistic brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements.

  2. step 02

    Block in the sky with a light blue-gray wash, allowing for variations in tone.

  3. step 03

    Establish the dark masses of the trees on the left and the distant hills.

  4. step 04

    Paint the water with horizontal strokes, capturing the reflections of the buildings and boats.

  5. step 05

    Add the buildings and boats, using simplified shapes and colors.

  6. step 06

    Introduce the figures along the riverbank, using small dabs of color.

  7. step 07

    Refine the details, such as the masts of the boats and the architectural details of the buildings.

  8. step 08

    Add final touches to the sky and water to create a sense of atmosphere.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · cadmium red light

Mix blues and umbers with white for the sky and water. Use ochre and sienna for the buildings, and red for the boats. Vary the proportions to create subtle color variations.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Making the colors too saturated and unrealistic.
  • →Failing to capture the subtle reflections in the water.
  • →Ignoring the atmospheric perspective and making the distant objects too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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