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home·artworks·Roses Tremieres (Hollyhocks)
Roses Tremieres (Hollyhocks) by Berthe Morisot

plate no. 5305

Roses Tremieres (Hollyhocks)

Berthe Morisot, 1884

oil, canvasImpressionismlandscapegardenflowerschairtabletreesfence
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to create a sense of light and atmosphere. It also provides practice in capturing the essence of a scene rather than precise details.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the table, chair, fence, and major flower groupings.

  2. step 02

    Block in the main areas of color, focusing on the overall tones of the garden, sky, and foreground.

  3. step 03

    Begin layering brushstrokes to define the forms of the flowers, leaves, and trees, using short, broken strokes.

  4. step 04

    Mix and apply variations of green to create depth and texture in the foliage.

  5. step 05

    Add highlights and shadows to the flowers and other elements to create a sense of volume.

  6. step 06

    Refine the details of the chair and table, paying attention to their structure and form.

  7. step 07

    Adjust the overall color balance and add any final touches to enhance the impressionistic effect.

  8. step 08

    Allow to dry and add a varnish layer.

color palette

primary · sap green · titanium white · cadmium yellow · alizarin crimson

secondary · ultramarine blue · burnt umber · yellow ochre

Achieve the various greens by mixing sap green with yellow and white. Use alizarin crimson and white for the pinks of the hollyhocks. Mix ultramarine blue and burnt umber for the darker tones of the chair and table.

techniques

  • ·broken brushstrokes
  • ·wet-on-wet blending
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much detail in the foliage.
  • →Creating muddy colors by over-mixing.
  • →Ignoring the importance of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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