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home·artworks·Roses (also known as The Scent of Roses)
Roses (also known as The Scent of Roses) by Lilla Cabot Perry

plate no. 6786

Roses (also known as The Scent of Roses)

Lilla Cabot Perry

oilImpressionismgenre paintingfigurerosesdresstableinteriorflowers
some experience helpful

Recreating this painting will help students develop skills in rendering soft light and shadow, and capturing the delicate textures of fabric and flowers. It also provides practice in creating a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, flowers, and table.

  2. step 02

    Block in the large areas of color, paying attention to the overall value structure.

  3. step 03

    Develop the background, creating a sense of depth and atmosphere with subtle variations in tone.

  4. step 04

    Refine the figure, focusing on the soft light and shadow on the skin and dress.

  5. step 05

    Paint the roses, capturing their delicate petals and subtle color variations.

  6. step 06

    Add details to the table and chair, using small brushstrokes to create texture.

  7. step 07

    Glaze to unify the painting and adjust values.

  8. step 08

    Add final highlights and details to enhance the sense of realism.

color palette

primary · yellow ochre · titanium white · ivory black

secondary · sap green · alizarin crimson · raw umber

Mix various shades of white with yellow ochre and a touch of alizarin crimson to achieve the skin tones. Use sap green with touches of yellow ochre and ivory black for the leaves and dress. Mix white with alizarin crimson for the pinks in the roses.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·impasto

common pitfalls

  • →Overworking the details, which can lead to a stiff and unnatural look.
  • →Failing to create a sense of depth and atmosphere in the background.
  • →Using colors that are too saturated, which can detract from the overall harmony of the painting.
  • →Not paying attention to the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (yellow ochre, titanium white, ivory black, sap green, alizarin crimson, raw umber)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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