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home·artworks·Rooftops Seen from Sf. Gheorghe Square
Rooftops Seen from Sf. Gheorghe Square by Lucian Grigorescu

plate no. 5289

Rooftops Seen from Sf. Gheorghe Square

Lucian Grigorescu, 1940

oilImpressionismcityscaperooftopsbuildingscityscapeskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and learn to suggest form and texture through expressive brushstrokes. It also emphasizes understanding atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the rooftops and buildings, focusing on perspective.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall color scheme.

  3. step 03

    Begin layering thicker paint, focusing on capturing the light and shadow on the buildings.

  4. step 04

    Use short, broken brushstrokes to create texture and visual interest.

  5. step 05

    Mix colors directly on the canvas to achieve a more impressionistic effect.

  6. step 06

    Pay attention to the subtle color variations in the sky and rooftops.

  7. step 07

    Add details like windows and chimneys with small, precise brushstrokes.

  8. step 08

    Refine the overall composition and adjust values as needed.

color palette

primary · raw umber · titanium white · cadmium yellow light · cerulean blue

secondary · burnt sienna · viridian · cadmium red light · ivory black

Mix white with small amounts of other colors to create the muted tones of the buildings. Use blues and greens to create the atmospheric perspective in the distance.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color variations in the light and shadow.
  • →Failing to establish a strong sense of perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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