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home·artworks·Roofs of Paris
Roofs of Paris by Francis Picabia

plate no. 1369

Roofs of Paris

Francis Picabia, 1900

oil, canvasImpressionismcityscapecityscapebuildingssnowroofssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and using a limited palette to create a cohesive and harmonious composition. It also provides practice in capturing the essence of a scene with expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, focusing on their relative sizes and positions.

  2. step 02

    Block in the sky with a thin wash of muted yellow and gray.

  3. step 03

    Establish the darkest values on the buildings using a mix of burnt umber and ultramarine blue.

  4. step 04

    Begin adding the snow on the roofs, using white mixed with small amounts of blue and yellow to create subtle variations.

  5. step 05

    Develop the mid-tones on the buildings, paying attention to the direction of light.

  6. step 06

    Add details such as windows and architectural features with small, deliberate brushstrokes.

  7. step 07

    Refine the edges of the buildings and the snow, softening some and sharpening others to create depth.

  8. step 08

    Add final highlights to the snow and rooftops to enhance the sense of light and atmosphere.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · raw sienna

Mix white with small amounts of blue and yellow for the snow. Use burnt umber and ultramarine blue to create dark grays and shadows. Add yellow ochre to the sky to create a muted, atmospheric effect.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette
  • ·broken color

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and creating a cluttered composition.
  • →Failing to create a sense of depth and atmosphere.
  • →Not varying the color temperature in the snow

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium texture to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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