apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Romulus and Remus discovered by a Gentle Shepherd
Romulus and Remus discovered by a Gentle Shepherd by John Leech

plate no. 7890

Romulus and Remus discovered by a Gentle Shepherd

John Leech

oilRomanticismillustrationfiguresanimalslandscapetreesbirdsfolklore
some experience helpful

Recreating this painting will help students develop skills in detailed linework and creating depth through layering and subtle color variations. It also provides practice in rendering various textures, such as fur, feathers, and foliage.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of key elements.

  2. step 02

    Focus on the main figures, sketching their poses and proportions accurately.

  3. step 03

    Add details to the background elements, such as trees, rocks, and animals.

  4. step 04

    Outline the entire drawing with a fine liner pen or brush.

  5. step 05

    Begin adding color washes, starting with the lightest tones.

  6. step 06

    Gradually build up darker tones and shadows to create depth and dimension.

  7. step 07

    Add details and highlights with colored pencils or fine brushes.

  8. step 08

    Refine the linework and add any final touches.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix raw umber and ivory black for the darker tones in the shadows and outlines. Use burnt sienna with a touch of yellow ochre for the warmer skin tones and foliage. Mix ultramarine blue with burnt sienna to create muted greens for the background.

techniques

  • ·hatching
  • ·cross-hatching
  • ·layering
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Losing the overall composition by focusing too much on individual elements.
  • →Not establishing a clear light source.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·fine liner pens
  • ·round brushes (sizes 0, 2, 4)
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·colored pencils
  • ·palette knife
  • ·masking fluid

Use high-quality watercolor paper to prevent buckling and allow for multiple layers. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke