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home·artworks·Rome, The Colosseum
Rome, The Colosseum by J.M.W. Turner

plate no. 8340

Rome, The Colosseum

J.M.W. Turner, 1820

watercolor, paperRomanticismcityscapecolosseumarchitectureruinsanimalsskycityscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details with loose, expressive brushstrokes. It also provides practice in creating a sense of depth and light using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the Colosseum ruins and the horizon line.

  2. step 02

    Establish the main areas of light and shadow with diluted washes of yellow ochre and burnt sienna.

  3. step 03

    Layer in the sky with a light wash of blue, blending it softly towards the horizon.

  4. step 04

    Add details to the Colosseum using a small brush and a mix of burnt sienna, raw umber, and white, focusing on the architectural features and textures.

  5. step 05

    Paint the foreground with washes of yellow ochre, raw umber, and touches of green, creating a sense of depth and texture.

  6. step 06

    Add the figures of the animals in the foreground using small, quick brushstrokes and a mix of white, raw umber, and black.

  7. step 07

    Refine the details and add highlights to the Colosseum and foreground, using a dry brush technique to create texture.

  8. step 08

    Add final touches and adjust values to create a cohesive and atmospheric composition.

color palette

primary · yellow ochre · burnt sienna · raw umber

secondary · ultramarine blue · titanium white

Mix yellow ochre and burnt sienna for the warm tones of the Colosseum. Use ultramarine blue diluted with water for the sky. Create variations in tone by adding white or raw umber to the primary colors.

techniques

  • ·atmospheric perspective
  • ·dry brush texture
  • ·watercolor washes
  • ·layering
  • ·rendering architectural details

common pitfalls

  • →overworking the details
  • →creating muddy colors
  • →losing the sense of light and atmosphere
  • →making the architectural details too precise

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler
  • ·spray bottle

Use high-quality watercolor paper to prevent buckling and allow for layering. Experiment with different brush sizes to achieve varying levels of detail.

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watercolor techniques →how to learn by studying the masters →
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