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home·artworks·Rock roses. Old Lodge. Taplow.
Rock roses. Old Lodge. Taplow. by Stanley Spencer

plate no. 0945

Rock roses. Old Lodge. Taplow.

Stanley Spencer, 1957

oilNeo-Romanticismlandscapeflowersgardenbrick wallfoliagehouseshadows
experienced study

Recreating this painting will help students develop skills in layering colors, creating textures with brushstrokes, and rendering complex botanical forms. It also encourages careful observation of light and shadow within a detailed scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the wall, flowers, and building.

  2. step 02

    Block in the basic colors of the brick wall, using varying shades of red, orange, and brown.

  3. step 03

    Start layering the foliage, beginning with the darkest greens and gradually adding lighter shades.

  4. step 04

    Paint the yellow flowers, using a mix of yellows and oranges to create depth and variation.

  5. step 05

    Add the red rock roses, paying attention to their delicate shapes and shadows.

  6. step 06

    Develop the background details, including the house and other foliage, using a softer brushstroke.

  7. step 07

    Refine the details of the brick wall, adding texture and variations in color.

  8. step 08

    Add final highlights and shadows to create depth and dimension throughout the painting.

color palette

primary · yellow ochre · cadmium red · burnt umber · titanium white

secondary · sap green · violet · raw sienna

Achieve the various greens by mixing sap green with yellow ochre and burnt umber. Create the brick colors by mixing cadmium red, burnt umber, and a touch of yellow ochre. Use white to lighten colors and create highlights.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·broken color

common pitfalls

  • →Oversimplifying the complex foliage and flower shapes.
  • →Creating flat, uniform colors instead of layering and mixing.
  • →Ignoring the subtle variations in light and shadow.
  • →Losing the overall composition in the details.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·mineral spirits
  • ·palette knife

optional

  • ·painting medium
  • ·retarder
  • ·easel

Use high-quality oil paints for best results. A medium can be used to adjust the consistency and drying time of the paints.

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oil painting for beginners →how to learn by studying the masters →
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