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home·artworks·Rochester Cathedral from the North East, with the Castle Beyond
Rochester Cathedral from the North East, with the Castle Beyond by Thomas Girtin

plate no. 9058

Rochester Cathedral from the North East, with the Castle Beyond

Thomas Girtin, 1797

oilRomanticismcityscapecathedralcastlebuildingstreesskycityscape
some experience helpful

Recreating this painting will help students develop skills in architectural drawing, atmospheric perspective, and loose watercolor washes. It also encourages observation of subtle color variations in natural light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes of the cathedral, castle, and foreground buildings, paying attention to perspective.

  2. step 02

    Apply a light wash of diluted yellow ochre and a touch of rose for the sky, allowing it to dry.

  3. step 03

    Mix a light gray-brown for the stone structures and apply a thin wash, leaving some areas lighter to suggest sunlight.

  4. step 04

    Add darker washes of brown and gray to define shadows and architectural details.

  5. step 05

    Use a fine brush to add details like windows, roof tiles, and architectural features.

  6. step 06

    Paint the trees and foliage with a mix of greens and browns, using short, broken strokes.

  7. step 07

    Add a dark green wash to the foreground to represent the grass and foliage.

  8. step 08

    Refine the details and add final touches, such as the cross on the cathedral spire.

color palette

primary · yellow ochre · burnt umber · payne's gray

secondary · rose madder · sap green · raw sienna

Mix light grays by combining Payne's gray with yellow ochre and white. Create subtle greens by mixing yellow ochre and Payne's gray. Use rose madder sparingly to add warmth to the sky and buildings.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·atmospheric perspective
  • ·line and wash
  • ·broken color

common pitfalls

  • →Overworking the washes and losing the transparency of the watercolor.
  • →Making the architectural details too precise and losing the loose, expressive quality.
  • →Creating too much contrast and making the painting look harsh.
  • →Ignoring the atmospheric perspective and making the background appear too sharp.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·pencil
  • ·eraser
  • ·water container
  • ·palette

optional

  • ·masking fluid
  • ·ruler
  • ·palette knife

Use good quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve varying levels of detail.

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oil painting for beginners →how to learn by studying the masters →
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