
plate no. 9058
Thomas Girtin, 1797
Recreating this painting will help students develop skills in architectural drawing, atmospheric perspective, and loose watercolor washes. It also encourages observation of subtle color variations in natural light.
technical profile
approach — 8 steps
Lightly sketch the main shapes of the cathedral, castle, and foreground buildings, paying attention to perspective.
Apply a light wash of diluted yellow ochre and a touch of rose for the sky, allowing it to dry.
Mix a light gray-brown for the stone structures and apply a thin wash, leaving some areas lighter to suggest sunlight.
Add darker washes of brown and gray to define shadows and architectural details.
Use a fine brush to add details like windows, roof tiles, and architectural features.
Paint the trees and foliage with a mix of greens and browns, using short, broken strokes.
Add a dark green wash to the foreground to represent the grass and foliage.
Refine the details and add final touches, such as the cross on the cathedral spire.
color palette
primary · yellow ochre · burnt umber · payne's gray
secondary · rose madder · sap green · raw sienna
Mix light grays by combining Payne's gray with yellow ochre and white. Create subtle greens by mixing yellow ochre and Payne's gray. Use rose madder sparingly to add warmth to the sky and buildings.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use good quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve varying levels of detail.
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